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Supernotes: A Thriller, by Agent Kasper, Luigi Carletti

Supernotes: A Thriller, by Agent Kasper, Luigi Carletti



Supernotes: A Thriller, by Agent Kasper, Luigi Carletti

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Supernotes: A Thriller, by Agent Kasper, Luigi Carletti

In the Cambodian hinterlands, a lone Western prisoner suffers through a hot, muddy, interminable sentence. Wasted by repeated torture, lack of sleep, malnutrition, and psychotropic drugs, he has been abandoned. His years of exemplary service to his government mean nothing. No one is coming for him.

This is Agent Kasper, a man with a staggering r�sum�: commercial airline pilot, firearms expert, highly accomplished practitioner of several of the martial arts, a secret agent par excellence. It is this incredible competence that will be his undoing. While investigating Mafia money laundering in Phnom Penh, Kasper is approached by the CIA to track down the source of the so-called supernotes—illegal U.S. banknotes counterfeited so perfectly�that they are�undetectable, even by sophisticated machines—that are flooding Southeast Asia. With patience, skill, and courage, Kasper uncovers the explosive secret behind them�and is badly burned by the truth.

Meanwhile, back in Rome, a sharp, scrappy lawyer named Barbara Belli has been hired by Kasper’s family to work for his release. She has contacts in the foreign ministry, and while officials make sweeping claims about moving heaven and earth, nothing happens. It’s more than just creaking bureaucracy. Kasper has really pissed off the wrong people.

Based on true events in the life of a former spy, Kasper’s journey makes for a shocking and spellbinding page-turner of petty corruption, high-level betrayal, and state secrets so powerful that governments will protect them by any means.

  • Sales Rank: #3018386 in Books
  • Published on: 2016-01-12
  • Released on: 2016-01-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.10" w x 5.90" l, 1.10 pounds
  • Binding: Hardcover
  • 272 pages

Review
"A fast, exciting read inspired by a real agent who risked his life combatting the problem of counterfeiting on an international scale."
—Kirkus Reviews

"Provides a fascinating peek behind the curtain of today’s global intelligence community."�
—Publishers Weekly

"The main appeal here is the tantalizing premise."�
—Booklist

About the Author

AGENT KASPER is a former operative for both the Italian intelligence services and the American CIA. LUIGI CARLETTI is a prize-winning veteran investigative journalist and the author of several novels. Translated by John Cullen.

Excerpt. � Reprinted by permission. All rights reserved.
1
Escape or Die

Prey Sar Correctional Center, near Phnom Penh, Cambodia
Saturday, April 4, 2009

“Italian! You come here right now!”

The prisoner obeys. But he obeys slowly. A little too slowly.

He’s called Kasper. He’s an Italian prisoner. Kasper has been his code name for a long time, his battle name in a life filled with battles.

Now his only battle is to stay alive.

The Kapo shouts again. He has a hoarse voice. Among his powers, barking is the least dangerous. He narrows his eyes and growls out orders that split the silence of the already sweltering early morning.

“The Kapo” is the name Kasper has given him because he acts exactly like the kapos in the Nazi concentration camps. His Cambodian name is of course different. And unpronounceable.

He’s a prisoner too, the Kapo is, but of a higher category. He helps the guards manage the camp. The job offers some satisfactions. For example, he’s allowed to beat lower ranking prisoners and does so regularly. With pleasure. And he can get money from them in exchange for protection and favors.

He tried that with Kasper.

One night he and some other kapos and an armed guard came to teach Kasper a lesson. They’d done this before, during his first days in the prison, by way of “welcoming” him to Prey Sar. At the time, Kasper was still in bad shape, hardly able to stand up. They used rubber-�coated iron pipes, which cause great pain but no open wounds. As part of the “welcome,” they broke his nose and mauled his left ear. They looked satisfied. “Bravo, Italian,” someone said. Two more kicks. They were laughing.

Having learned how things worked in the prison, Kasper had prepared himself accordingly. When the men who had beaten him that first night came back, he was ready. The match was brief. They gathered up their injured and withdrew. But that was certainly not the end of it. The following day, they tossed him into solitary confinement, into a “tiger cage.”

A tiger cage is a ten-�foot-�deep hole, closed at the top with a metal grate through which they pass you shitty food and shitty water. When it rains, the hole floods, and then you must swim, along with the rats and cockroaches. Eventually you have to press your face against the grate and hope the water doesn’t rise any higher. A real nightmare for any prisoner, and the worst possible nightmare for someone who suffers from claustrophobia.

They left him in there for days, but ever since they let him out, they’ve steered clear of him. According to Chou Chet, the guard who’s been protecting him for some time, they’ve nicknamed Kasper “the Animal.” Chou Chet has explained that the money Kasper receives from his family in Italy will soon enable him, Chou Chet, to change his life for the better. “We’re friends,” he tells Kasper, in English.

“Friends, for sure,” Kasper repeats.

Kasper doesn’t want to die. He wants to walk away from Prey Sar on his own two feet and forget everything about it. Including the brute who barks at him.

The Kapo knows a few words of English, enough to communicate with the non-�Cambodian prisoners, who constitute a tiny minority: a few Thais, two Chinese, a small group of Vietnamese. Among five hundred poor wretches, Kasper’s the only Westerner.

“Go to entrance.” The Kapo’s already pointing in the proper direction. “News for you.”

Kasper looks him straight in the eyes. Only for a moment. He doesn’t want a confrontation. Not today, of all days. Today everything has to go smoothly.

They’re both naked from the waist up. Both sweating, given the temperature in the 100s and the humidity that crawls under your skin. The Kapo’s checkered krama scarf is wrapped around his head. He stares at Kasper. His mouth barely moves when he repeats, “Go, Italian.”

Kasper heads for his “news.” He believes he knows what the news will be.

So here we are. Maybe it’s really going to happen. It is happening, on this Saturday morning in April, and he can scarcely believe it. He drags his Ho Chi Minh sandals and keeps a tight hold, both hands, on a precious nylon sack, hiding it as best he can. It’s camouflaged, wrapped up in a T-shirt.

He tries to put on his best mask. The time has come. He’s got to make it.

He’s got to.

He doesn’t want to end up like the others. Like the ones he’s seen in the past months and months. The tortured. The stomped-� shattered-�mangled. The drowned wretches facedown in the ricefields.

Kasper doesn’t want his life to end that way; he wants to go home to Italy. Today’s stakes are all or nothing.

But if he’s never to leave Prey Sar, if that’s his fate, then he’ll meet it like a soldier.

He squeezes the camouflaged bundle in his hands. Yes indeed, he will cause some shit before they take him out. Because, on this Saturday, April 4, 2009, dying seems preferable to the hell he’s been thrown into.

Whatever happens, one way or the other, Kasper’s leaving by the main door. Today and forever.


2
373 Days Ago: The Capture

Koh Kong, Cambodia-�Thailand Border
Wednesday, March 26, 2008

Clancy checks the outside mirror and the rearview mirror and wants to know how much farther they have to go.

“That’s the third time you’ve asked me that,” Kasper replies. “The third in an hour.” He passes a truck and gets back in his lane.

“So we’re getting closer all the time.”

“About twenty kilometers.”

Clancy takes off his sunglasses, blows on them, cleans them. “Nobody’s following us anyway.”

Good. With any luck, the whole thing’s bullshit, Kasper thinks. Nothing but a false alarm. Or maybe some stupid fucking April Fool’s joke, a few days early. But Bun Sareun’s voice on the telephone sounded serious. The Cambodian senator wasn’t joking.

“Leave town now.”

Not one word more. Only those three, repeated several times, in the tone of someone giving Life Advice.

Leave town now.

When Kasper hung up and told his American friend Clancy, he called the senator back. Not many words, zero doubts. “We have to get out of here. We can try to figure out what the fuck’s happening later.”

They filled two bags, grabbed two pistols, and took all the cash they kept in the safe in their house, roughly seventy thousand dollars. Now this nest egg is lying with Kasper’s change of underwear at the bottom of his black bag. Clancy’s bag is the same military duffel he’s had ever since he was an energetic young CIA analyst. It probably reminds him of years that won’t come again.

They left Phnom Penh hoping the whole thing was a crock; never�theless, they’ve avoided airports, seaports, train stations, and any other potential checkpoints. They’re familiar with the Cambodian military. They know how its forces work. They’re especially familiar with the paramilitaries, the men in charge of the country’s internal “security.”

Which is why they had turned their Mercedes over to their driver, instructing him to take it for a long drive around the city. If he was stopped, he was to say he’d dropped them off a short time before near the Manhattan Club, Victor Chao’s casino-�discotheque. They were careful not to pass by Sharky’s, the bar and restaurant they own together, but they called one of their employees and asked him to rent, in his own name, a sport utility vehicle. This machine turned out to be a Honda CR-�V. They flung their bags into the back and left.

It was six in the evening. Darkness was starting to fall.

Their goal was the Thai border, just beyond a small town named Koh Kong. A meeting place for smugglers and whores. Six hours’ drive away.

Kasper called Patty, his Italian girlfriend. She’d been with him in Phnom Penh up until a few days before and had only just returned to Rome. Her leaving when she did was a piece of luck. On the phone, he stated only the essential facts of the matter. In a few words, without hesitations that could be interpreted or pauses to allow questions.

“We have to leave the city and probably the country.” His tone was unnaturally calm. “There are problems. We don’t know what they are. I think we’ll find out there’s been a mistake, but we want to be prudent. Don’t be worried. I’ll call you back as soon as I can.”

She asked no questions. And even if she had, the only response would have been a dial tone.

This isn’t the first time Kasper has found himself obliged to cut all ties with some place in the world. But it’s the first time he’s had trouble understanding why. And Clancy doesn’t seem to have things figured out any better than he does.

And so they start thinking about how their security was compromised. In Cambodia, it’s not hard to become a target, that goes without saying, but what could have happened?

The road to the border enters a harsh, suddenly hostile landscape that slowly wraps itself in its evening cloak. Kasper and Clancy talk over the past few weeks. Who or what could have put them in danger?

Maybe they stepped on somebody’s toes at Sharky’s. The bar’s clientele includes a lot of touchy people—�something could have happened there. But what? Something to do with women? Or debts? Certainly not. Some blunder? Some injury this was payback for? Unlikely. Or maybe Kasper’s military expertise ruffled the �sensibilities of some security boss working for Hun Sen and his government. Possible, but he would have known it already.

Theories. They’re not good for much except clarifying the horizon, thinning out the possibilities. They move you closer to the truth.

For example, suppose it was Kasper’s North Korean investigation—a mission he’d undertaken at the behest of the Americans—�that had put them in danger. It seemed like a job well done. It seemed perfect. But maybe something had gone wrong.

Very wrong.

Kasper can feel it.

It’s a doubt that’s been churning around in his head from the start. Now he understands that it’s much more than a doubt. It’s a premonition. And it’s getting stronger and stronger.

Suppose it was that job I did for Clancy’s friends? he wonders under his breath. The question goes unanswered.

Kasper’s positive he made all the right moves. He used maximum discretion and followed orders. No one except his only contact with “the Company” knows about his mission. And, of course, Clancy. But even Clancy knows very little about it.

Kasper did a good, clean job. He did what he’d been asked to do.

Leave town now.

The Cambodian senator knows nothing about Kasper’s investigation. But the senator knows a lot about a lot of other things. It wasn’t clear from his telephone call where the danger was coming from. He didn’t specify whether they should be wary of “round-�eyes” or “slant-�eyes,” Westerners or Cambodians—�or maybe even North Koreans.

Kasper decides to tell Clancy about his persistent doubt. His American friend listens to him in silence. They’ve known each other for twenty years, and they’ve been through a lot together. In Cambodia they share a house, they’re business partners in Sharky’s, and they collaborate in all things, each contributing his own particular set of skills.

Clancy’s sixty years old and not very talkative. He’s reticent and cautious. And smart. He’s someone who listens, first of all, and then discusses, basing his reasoning on his background as an organizer and an analyst. As for experience, he’s had a lot. He’s an American who has passed—not totally unscathed—through some of the pages of recent history.

“The thing with the North Koreans,” Clancy says, stroking his white beard. He ponders a bit. “Well, it just seems strange to me. I don’t know much about it, but . . .” He clears his throat and sighs. “But if that’s what it is, we’re in deep shit.”

“You know the Company people better than I do. Do you think that’s what it is?”

Clancy stays quiet for a few seconds. Then he shakes his head and says, “No, not unless you fucked up in some major way.”

“I didn’t fuck up. I followed their guidelines. I kept them informed about everything.”

“Everything?”

“Every fucking thing.”�

“Did you do anything on your own initiative?”

“Nada.”

“Or talk to other—”

“Never.”

Clancy nods. “So no fuckups on your end,” he recaps.

“No, my friend. No fuckups.”

“Then that job has nothing to do with this. I don’t think it has anything to do with this at all.”

—�

The bridge between Cambodia and Thailand is about a hundred meters long. Shortly after midnight, Kasper and Clancy arrive within sight of the border. They decide to spend the night in Koh Kong and cross the bridge the following morning. After getting two rooms in a trashy motel that offers hourly rates for the benefit of whores and their clients, they eat something in a fast-food joint nearby. Next morning they’ll leave the SUV in the motel parking lot and cross over on foot.

Separately.

That’s their plan.

They have to pass through two border checkpoints, the first Cambodian and the second Thai. But only the first one presents some risk.

Some risk? Kasper wonders. Or a huge risk?

That’s the crucial point, the Cambodian guard post. Once they’re in Thailand, all they have to do is to head for Trat, the nearest town.

Kasper would have preferred to avoid crossing the bridge altogether. He was for getting across the border at once, while it was still night, without wasting time. “Being afraid of trouble is better than seeking it out,” he said, reciting a Tuscan proverb. As a good Florentine, he’d repeated this wisdom to Clancy on several other occasions.

Kasper’s proposal: to ford the little river under cover of darkness and climb up the bank on the Thai side. Had he been alone,�he wouldn’t have thought about it for a minute. But he was with Clancy.

Uncle Clancy.

His white beard, that pensive air.

“Are you crazy?” was the American’s response. “Didn’t you say the riverbank is mined?”

“There may be a mine or two, yes. You just have to pay attention. I talked to a smuggler friend of mine. He showed me where wes hould cross.”

“You cross through the mines. I’m strolling over the bridge tomorrow morning. It’ll be like taking a walk. Then we can swim in the sea off Phuket Island instead of this stinking gutter.”

They arise at dawn. From a public telephone, they call their employee and explain where he can pick up the CR-V. They tell him how to get rid of the guns they’ve hidden in it. Then they have breakfast, exchange a few words. Just the indispensable ones. They say their good-byes.

“Until we meet on the other side,” says Kasper.

“See you soon,” says Clancy with a nod.



Looked at from the Cambodian riverbank, the bridge seemed like a joke. See how perspective alters things, Kasper thinks. A few meters, and everything’s totally changed.

His passport passes from hand to hand. Four or five times. Back and forth, like a game. Then the first border guard points his pistol at Kasper’s face. Behind him, other guards have their weapons leveled.

They bring him to an office with a table, three chairs, and a poster displaying medical and health information.

Kasper tries hard not to assign blame, but without success. Swimming in the sea off Phuket Island. Fuck you, Clancy, he thinks, while the Cambodian soldiers search him and take everything he has. They lead him to another room in the guard post.�This one’s empty except for a couple of plastic chairs. The soldiers tell him, “You wait here.”

After less than an hour, the door opens again and in he comes, the optimistic American. They detained him the same way: passport, two pissy questions, and a pistol aimed at his face.

Clancy sits down on a chair next to Kasper and plays the role of the red, white, and blue veteran. He says, “Maybe it’s better this way. We’ll clear up everything and go back to Phnom Penh.”

“Is that a hope or a prediction?” Kasper asks.

“It’s a prediction. You’ll see.”

“A prediction. Right.”

Kasper knows that the “predictions” Americans make sometimes get into ugly collisions with reality. The optimistic approach is endearing; unfortunately, however, it doesn’t pay. But that’s how the Americans are. They take on enemies they consider undersized weaklings who turn out to be rather more difficult than they figured.

Kasper knows Americans well. His father’s a half-American Tuscan born in Memphis, Tennessee. Half of Kasper’s family lives in St. Louis; most of his military and pilot training took place in the States. He loves everything about America, or almost everything. Therefore his old friend Clancy’s optimism really pisses him off.

Suppose they’re in real trouble—the worst kind of trouble, the definitive kind?

They sit for a few hours in the stifling little room with its barred windows and its reek of smoke and frontier. It’s a hole, this post on the Thai border. The Cambodian guards keeping an eye on them chat among themselves. And wait.

Three in the afternoon. The door of the room swings open and five men in civilian clothes come in. They’re Cambodians, and they’re armed. They know perfectly well who they’re dealing with. Kasper’s immobilized at once. No martial arts or any of the rest of his repertoire. With Clancy, things are easier.

They sit Kasper and Clancy down and bind them. Chains around ankles and arms, wrists tied tightly behind their backs.

These five are professionals.

Kasper recognizes a couple of them from the Marksmen Club, the Phnom Penh shooting range where he habitually spends a lot of his time. Now he realizes that he and Clancy are not in deep shit.

It’s worse than that.

The five men are from the Combat Intelligence Division, or CID, a very special task force that takes on some very special assignments. These are people who don’t waste time. Five sons of bitches ready for anything. There are probably five more of them outside this room.

The unit’s veterans are all former Khmer Rouge. The younger guys live on myths of the past, of a ferocious competence that’s earned the CID a pretty grim reputation over the years. In many cases, they operate in close collaboration with the American embassy, which is to say the CIA’s Indochinese field office.

Leave town now.

Too late, dear Senator Bun Sareun.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Supernotes
By Alla S.
"Supernotes"--a fictionalized retelling of the real-life story of an Italian intelligence agent who also worked for the CIA and was drawn into their investigation of supernotes or fake dollar bills, only to be punished and jailed--seems like an interesting story, but even as a fan of books about espionage and spying, I just couldn't get into it. The story keeps switching back and forth between Agent Kasper's time as an agent, his time at a Cambodian jail, and his lawyer. The story is told in a third-person impersonal way, and any tension is minimized because of the non-chronological storytelling. Right off the bat, we know that Kasper is in jail and even though we don't know the why, we already know what happened to him even before his story is recounted. Furthermore, Kasper doesn't come across as a sympathetic guy that the reader can root for. The reader learns what happens to him, but not necessarily how he feels about it. A chronological re-telling of the events, from a first-person narrative (especially since Kasper worked with the writer in crafting the story and was therefore an available source to be used) that also included a more detailed version of Kasper's reaction to the events and shady characters around him would have made a more interesting read.

2 of 2 people found the following review helpful.
Hero, victim, or liar?
By TChris
Since Supernotes is based on a true story, it doesn’t have all the twists and turns and action and suspense that a traditional spy novel delivers. Real life just isn’t as exciting as fiction. On the other hand, if the story is more-or-less true, an intriguing series of events can be a good substitute for an action-packed plot. Unfortunately, Supernotes delivers too little intrigue while telling a story that isn’t entirely convincing.

Kasper is an Italian, although his father was born in Memphis and much of his family lives in St. Louis. He is a former member of Italy’s national police who became an airline pilot and did some shady consulting work for the national police. The work involved playing an undercover role in large drug deals and money laundering operations. According to the Italian government, he has “a right-wing past and dangerous friends.” In Cambodia, he owned a bar with a former CIA agent and engaged in vaguely-described contract espionage.

We learn of Kasper’s history in flashbacks. The story begins with a Cambodian official warning Kasper and the former CIA agent to leave Phnom Penh. Kasper makes it as far as the Thai border, where he is arrested.

The story focuses on Kasper’s detention. Americans who identify themselves as Homeland Security and FBI agents play a dark role. Kasper’s mother and girlfriend have enlisted the help of Italian lawyer named Barbara Belli, who tries to win Kasper’s release. A variety of other people also drop in on the imprisoned Kasper, who is apparently being kept alive only because his mother pays bribes on his behalf.

One problem with writing a novel from a single character’s perspective, at least when the book is based on that character’s real world experience, is the question of credibility. The reader must believe that Kasper is telling the truth and, if he is, that his perception of reality is accurate. Kasper isn’t the kind of person I would trust under the best of circumstances, and given the temptation to use this book to repair his reputation, I have little reason to believe that it is entirely honest.

Even if Kasper is telling his story in good faith, I suspect that other players would have quite a different perspective on the events that Kasper describes. Supernotes would probably be a fascinating work of nonfiction if written by an objective outsider who interviewed, not just Kasper, but all the relevant people in his life. As it stands, we have only Kasper’s word that he was “disavowed” while acting as an undercover agent for the Italian police, that Americans offered to secure his release from prison for nefarious reasons, and that he was acting in anyone’s interest other than his own when he tried to get his hands on more than a hundred million dollars in supernotes.

The story bobs and weaves around the topic of supernotes -- the book’s title and presumably its intended theme -- but only as it nears its end do supernotes play any significant role in the plot. Maybe China and North Korea really are flooding Asia with undetectable counterfeit American currency. Maybe Kasper’s theory about who is really backing the counterfeit money machine (a doubtful conspiracy theory that has been around for several years) is correct. But Kasper’s assertion that he was imprisoned because he “knew too much” about supernotes strikes me as being just a little too convenient.

This is a work of fiction so the story doesn’t need to be true, but it does need to be believable. Some of the book -- the brutality in Prey Sar prison, political corruption in Cambodia, the money extorted from Kasper’s family -- is easy to believe. It is Kasper, casting himself in a heroic role, I doubted. Fictional characters are credible when they show their warts, but the character of Kasper is ambiguous. We are told that Kasper was “investigated” for certain crimes, but did he commit them? We are told that as a young man, he sympathized with fascism, but did he sympathize with right wing terrorists? Kasper isn’t telling. Kasper blames his problems on a host of people other than himself, but are they really to blame? Kasper rejects his portrayal as a radical “loose cannon” by the press, but maybe the press got it right and Kasper is using the book to rewrite his legacy. Who knows?

Some parts of the novel -- primarily flashbacks that take place outside of the prison setting -- are quite good. A scene in Zurich evokes the kind of tension that a spy novel fan expects. Most of the story, however, is less than riveting. The final chapters make an obvious but unsuccessful attempt to create suspense. Again, I might excuse those failings that if the story had the feel of reality, but Supernotes didn’t persuade me to view Kasper as either a hero or a victim, despite his intense desire to play both roles.

2 of 2 people found the following review helpful.
I wanted to like it but couldn't get invested in the character or the story
By Sandy Kay
I wanted to love this book. I enjoy spy thrillers and financial thrillers and thought a spy novel about supernotes would be really interesting. For a variety of reasons, I just couldn't get into it and ended up skimming through most of the book. Even then I'd rather have that time back and just have skipped it altogether.

Part of the reason I think I didn't enjoy it was that it is not a typical spy thriller with the agent racing to carry out a mission for his or her country. In this book, the main character Kasper is in one Cambodian prison or another for nearly all the book. His battle is to try to get released and also figure out who is responsible for his arrest. Another of the main characters is an Italian attorney who is working for his family to try to get him released.

Another reason I couldn't get into the book is that the story was not linear. It starts just short of the ending then jumps to Kasper's arrest and bounces between the "present" in the prisons and events that happened years or even decades earlier. If done well, this kind of bouncing around between the past and present isn't an issue, but it didn't keep me engaged in the story. More importantly, despite this novel apparently being based on a true story, I never felt like Kasper was a character I could relate to or care about. Through the descriptions of brutal treatment, I just wasn't invested enough in Kasper to hope for him to be released.

A lot of the lack of caring comes down to the writing style. Through most of the book, I felt like the author was telling the story rather than drawing me into the story.

American readers should be aware that our country and American characters are not the heroes of this book. I don't want to spoil the plot for anyone who wants to read it, but just be aware that the white hats are not sitting on a lot of American heads.

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Rabu, 25 Maret 2015

[W821.Ebook] Free PDF Introduction To The Physics and Techniques of Remote Sensing, by Charles Elachi, Jakob J. van Zyl

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Introduction To The Physics and Techniques of Remote Sensing, by Charles Elachi, Jakob J. van Zyl

The science and engineering of remote sensing--theory and applications



The Second Edition of this authoritative book offers readers the essential science and engineering foundation needed to understand remote sensing and apply it in real-world situations. Thoroughly updated to reflect the tremendous technological leaps made since the publication of the first edition, this book covers the gamut of knowledge and skills needed to work in this dynamic field, including:
* Physics involved in wave-matter interaction, the building blocks for interpreting data
* Techniques used to collect data
* Remote sensing applications


The authors have carefully structured and organized the book to introduce readers to the basics, and then move on to more advanced applications. Following an introduction, Chapter 2 sets forth the basic properties of electromagnetic waves and their interactions with matter. Chapters 3 through 7 cover the use of remote sensing in solid surface studies, including oceans. Each chapter covers one major part of the electromagnetic spectrum (e.g., visible/near infrared, thermal infrared, passive microwave, and active microwave).

Chapters 8 through 12 then cover remote sensing in the study of atmospheres and ionospheres. Each chapter first presents the basic interaction mechanism, followed by techniques to acquire, measure, and study the information, or waves, emanating from the medium under investigation. In most cases, a specific advanced sensor is used for illustration.

The book is generously illustrated with fifty percent new figures. Numerous illustrations are reproduced in a separate section of color plates. Examples of data acquired from spaceborne sensors are included throughout. Finally, a set of exercises is provided.

This book is based on an upper-level undergraduate and first-year graduate course taught by the authors at the California Institute of Technology. Because of the multidisciplinary nature of the field and its applications, it is appropriate for students in electrical engineering, applied physics, geology, planetary science, astronomy, and aeronautics. It is also recommended for any engineer or scientist interested in working in this exciting field.

  • Sales Rank: #1369504 in Books
  • Published on: 2006-04-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x 1.32" w x 7.35" l, 2.76 pounds
  • Binding: Hardcover
  • 616 pages

Review
"…upper level classes in applied physics, geology, planetary sciences, natural resource management, and environmental studies should consider this textbook for their collection." (E-STREAMS, September 2007)

"...highly favorable...a handy reference for students and professionals alike." (Computers & Geosciences, August 2007)

"For professionals in the field and for students, where a thorough understanding of the physics and mathematics underlying the acquisition and analysis of remote sensing data is required, this book satisfies the need well." (Oceanography, December 2006)

From the Publisher
Covers a wide spectrum of remote sensing techniques as applied to earth and planetary atmospheres and surface sciences. Examines the basic physics of wave/matter interactions and techniques of remote sensing across the electromagnetic spectrum (UV, visible mm and microwave), and provides examples of major applications in the fields of geology, oceanography, planetology, and atmospheric sciences.

From the Back Cover
The science and engineering of remote sensing—theory and applications

The Second Edition of this authoritative book offers readers the essential science and engineering foundation needed to understand remote sensing and apply it in real-world situations. Thoroughly updated to reflect the tremendous technological leaps made since the publication of the first edition, this book covers the gamut of knowledge and skills needed to work in this dynamic field, including:

  • Physics involved in wave-matter interaction, the building blocks for interpreting data
  • Techniques used to collect data
  • Remote sensing applications

The authors have carefully structured and organized the book to introduce readers to the basics, and then move on to more advanced applications. Following an introduction, Chapter 2 sets forth the basic properties of electromagnetic waves and their interactions with matter. Chapters 3 through 7 cover the use of remote sensing in solid surface studies, including oceans. Each chapter covers one major part of the electromagnetic spectrum (e.g., visible/near infrared, thermal infrared, passive microwave, and active microwave).

Chapters 8 through 12 then cover remote sensing in the study of atmospheres and ionospheres. Each chapter first presents the basic interaction mechanism, followed by techniques to acquire, measure, and study the information, or waves, emanating from the medium under investigation. In most cases, a specific advanced sensor is used for illustration.

The book is generously illustrated with fifty percent new figures. Numerous illustrations are reproduced in a separate section of color plates. Examples of data acquired from spaceborne sensors are included throughout. Finally, a set of exercises, along with a solutions manual, is provided.

This book is based on an upper-level undergraduate and first-year graduate course taught by the authors at the California Institute of Technology. Because of the multidisciplinary nature of the field and its applications, it is appropriate for students in electrical engineering, applied physics, geology, planetary science, astronomy, and aeronautics. It is also recommended for any engineer or scientist interested in working in this exciting field.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great, but not for the light reader
By alden
A standard for the scientist and a hello to you Dr. Elachi - I took your Remote Sensing class back in 89

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Jumat, 20 Maret 2015

[R568.Ebook] PDF Download Baking and Pastry, Student Workbook: Mastering the Art and Craft, by The Culinary Institute of America

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Baking and Pastry, Student Workbook: Mastering the Art and Craft, by The Culinary Institute of America

This insightful book presents 350 recipes, along with expert reviews of valuable techniques, for creating mouthwatering breads and desserts. The use of volume and metric measurements suit the needs of large operations, small bakeshops, home kitchens, and classrooms. More experienced bakers can find advanced tips about chocolate, confections, and wedding cakes, as well as the CIA's approach to plating and decorating desserts. Hundreds of full-color photographs introduce the baking ingredients, offer step-by-step guidance through important techniques, and feature finished products.

  • Sales Rank: #1117792 in Books
  • Brand: Brand: Wiley
  • Published on: 2004-05-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .27" w x 8.45" l, .75 pounds
  • Binding: Paperback
  • 130 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great Book!!
By Brwmeister
A must if you own the text book and plan to further yourself in baking and pastry arts. Must have!

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Rabu, 18 Maret 2015

[D766.Ebook] Download PDF The Story of Art, Pocket Edition, by E.H. Gombrich

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The Story of Art, Pocket Edition, by E.H. Gombrich

Combining text with hundreds of full-colour illustrations, this book traces the history of art in an unfolding narrative, from primitive cave paintings to modern controversial art works.

  • Sales Rank: #107281 in Books
  • Brand: Gombrich, E. H.
  • Published on: 2006-10-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.38" h x 1.63" w x 4.50" l, 1.46 pounds
  • Binding: Paperback
  • 1064 pages

Review
'Like every art historian of my generation, my way of thinking about pictures has been in large measure shaped by Ernst Gombrich.'

'More people...have been introduced to the world of fine art, in the last 45 years, through Ernst Gombrich's The Story of Art than through any other single book.'

'The great gift he gave us was to make the living process of art understandable to us all. Rather than a dry cultural history, he made looking at art -- that perceptual experience -- an adventure.'

'It is hard to overstate my enthusiasm for...one of the pivotal works in the great cause of bringing people and art together...A book to read, re-read, and...to savour lovingly like a classic vintage.'

'Gombrich has done more than any other human being to draw people towards an enlightened understanding of art... Wearing his immense learning lightly, tackling abstract ideas without losing his readers in jargon, he has attracted a devoted following.'

'Ernst Gombrich was the most famous art historian in the world. His reputation was based less on a particular approach to the subject, or the mastery of a single period, than on the breadth of his interests and his skill at making the history of art interesting to a non-specialist public.'

'The Story of Art was the first history of art which I read as a 19-year-old student. It was a revelation and I could not put it down. It pushed open the door on some of the greatest achievements of the human spirit. Written with love and scholarship, clarity and insight, it stands as a classic cornerstone in any appreciation of art.'

'... did more than any other writer in the last 100 years to introduce a wider public to a love of art. Successive generations of students have been drawn to The Story of Art, his erudite survey of Western art, and his Big Idea: "There is no such thing as art -- there are only artists." An academic who stayed firmly outside his profession's charmed circle, his book was intended as a rallying cry against snobbery and elitism, and has remained a classic.'

From the Publisher
Renowned not only as the best concise introduction to art history, but also as a classic of art historical literature, this text reflects the vast knowledge, insights, and expertise of one of this century's greatest art historians and thinkers. Extensively illustrated, it treats the history of art -- both chronologically and geographically -- as a continuous unfolding story.

From the Back Cover
Renowned not only as the best concise introduction to art history, but also as a classic of art historical literature, this book reflects the vast knowledge, insights, and expertise of one of this century's greatest art historians and thinkers. Extensively illustrated, it treats the history of art — both chronologically and geographically — as a continuous unfolding story. Offers a vivid, enthusiastic, and interpretive narrative written in direct, straightforward language — with technical terms always explained when they are introduced. Focuses on the most significant works of Western art. Considers each work of art in its context: shows how art reflects the historical setting, the artist's intentions, and the values of that civilization, and how each artist built upon, or sometimes reacted against, the style of his/her predecessors. Contains chronological charts, maps, and notes on art books. Illustrates all works that are discussed. Features a new design—with each illustration appearing on the same spread as the narrative that discusses it.

Most helpful customer reviews

51 of 52 people found the following review helpful.
My Bible
By Ida Kotyuk
Originally, Dr. Gombrich intended (in the 1940s) for this book to be read by high school students; or as he writes "young people." Since then, The Story of Art became popular and his book mushroomed into several languages and editions. Because his language is non-fussy and non-scholarly, I have recommended this book to many non-artist friends; none of whom could get beyond the first few pages. So the reader may need some art background. But if you want to know why the Egyptians chose to draw as they did, or why Gothic art and architecture looks as it does (or "what's THAT all about?"), then this is the book for you. I have reread the book three times and may reread it one or two times more before I go to that great studio in the sky.

21 of 21 people found the following review helpful.
Exactly what you need :)
By B. Alcat
In my opinion, "The Story of Art" is the best gift for yourself and others. Why?. Because it is one of those few books that allows you to achieve several objectives at the same time... It can introduce the reader to art, or allow him to continue with his studies. It gives him the opportunity of learning, but also entertains and captivates him.
Yes, of course that it is long, and because of that somehow scary the first time you see it. But if you manage to start it, you will find that you will finish it in no time at all. The reason for that is the author, E.H. Gombrich. His prose is fluent, and easy to understand, but what is more important, he doesn't merely enumerate facts: he tries to explain them, setting them in a historical background. And by doing that, compels and engages the reader, making him think about art and its "evolution", and about why the story of art is "A story without end".
The book brings a lot of illustrations regarding the artworks discussed by the author, including several fold-outs that I appreciated enormously. The reproductions allow the reader to "see" what the author tries to explain, and make the book even more dynamic.
Now in its 16th updated edition, this book is already a classic. Maybe the reason for that popularity can be explained by the author. Gombrich's aim was to help others to understand art, from cave painting to postmodern art. He believes that his book is immensely liked by students and art-lovers because "it has made them see how the story of art hangs together".
On the whole, I highly recommend "The story of art" to everybody interested in art. I believe it is exactly what you need :)
Bel�n

10 of 10 people found the following review helpful.
art history in the essentials
By drollere
this is a wonderfully conceived and written history of western art from cave painting to the late 20th century. gombrich tells the story by focusing on the essential ideas or achievements characteristic of each artist and art epoch. each chapter is about 5 or 6 pages of text and several large format art reproductions (there are several fold out images of works such as botticelli's "birth of venus" or pollock's "one"). the narrative is conversational, concise, well informed, and extremely intelligent; the book reads as though you are strolling through an immense museum with gombrich at your side, commenting on paintings and sculptures as you go.
gombrich manages to teach the reader how to look at art at the same time he explains the main historical developments and style points of each movement or period. new students of art will find the book is a pleasurable and clear guide; experienced readers will enjoy gombrich's judicious use of detail and selection. a bibliography, chronological charts of art epochs and artists' lives, maps of europe and an index conclude the book.

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[Y922.Ebook] Fee Download Kirschroter Sommer (German Edition), by Carina Bartsch

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Kirschroter Sommer (German Edition), by Carina Bartsch

Buchr�ckseite:
Die erste Liebe vergisst man nicht ... Niemand wei� das besser als Emely. Nach sieben Jahren trifft sie wieder auf Elyas Schwarz – der Mann mit den t�rkisgr�nen Augen und die Verk�rperung all dessen, wovor M�tter ihre T�chter warnen. Gut aussehend, charmant und mit einer Prise Arroganz raubt er Emely den letzten Nerv. Sie hasst ihn, aus tiefstem Herzen, und trotzdem ist da immer dieses Kribbeln in ihrem Bauch, sobald sie in seiner N�he ist. H�chste Zeit die Handbremse zu ziehen, findet Emely, und lenkt ihre Aufmerksamkeit daher auf Luca, den anonymen E-Mail-Schreiber, der ihr mit sensiblen und romantischen Nachrichten die Zeit vers��t. Doch wer verbirgt sich hinter dem Mann ohne Gesicht? Und was steckt wirklich hinter Elyas‘ Absichten?

  • Sales Rank: #809969 in eBooks
  • Published on: 2013-12-22
  • Released on: 2013-12-22
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Sehr genie�bar
By Laura L. Smith
Deutsch ist nicht meine Muttersprache, aber ich versuche es, meine Gedanken �ber dieses Buch auf Deutsch zu schreiben!

Ich habe das Buch genossen, aber um ehrlich zu sein, w�rde ich wahrscheinlich irgendein Buch was von Goethe, Schiller oder Brecht nicht geschrieben wird sehr genie�bar finden. Ich lese lieber Romanzen und wollte eine Romanze von einer Deutsche Autorin lesen. Zu diesem Zweck, habe ich eine gute Auswahl getroffen.

Emely geht mir ein bi�chen auf die Nerven, weil sie soooooooo st�rrisch (?) ist. Aber das passiert oft in dieser Typ Romanze und ich lese sie noch. Man mu� das n�chstes Buch lesen um das Ende zu entdecken (frohes Ende bin ich sicher) deswegen lese ich jetzt T�rkisgr�ner Winter. Das Buch wird nicht die Welt �ndern, aber zum Zweck lese ich Romanze nicht!

0 of 0 people found the following review helpful.
wahnsinn
By Lara Lange
Ich habe dieses Buch vor ein paar Monaten gelesen und schon damals gefiel es mir richtig gut. Und seitdem kommt mir jedes Buch, das ich lese, oberflaechlich vor. Dieses Buch ist wirklich gut geschrieben. Die Geschichte scheint echt, und ich denke noch immer oft an sie zurueck. Das hier ist das erste Buch, dass ich so gut fand, dass ich eine Review schreibe.

0 of 0 people found the following review helpful.
Disappointing
By Carmela Padalino
Just wasted my time on a book that is predictable and overdone, and without an ending. But it is obvious what the ending would be.

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Senin, 09 Maret 2015

[E759.Ebook] Ebook THE MORNING AFTER (Harlequin comics), by Michelle Reid

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THE MORNING AFTER (Harlequin comics), by Michelle Reid

“I am a servant of the devil,” the world-famous jewelry designer Adamas declares coldly. Annie shivers. The top model has come to his private island under his direction to take pictures for the Adamas jewelry collection. “You have been left all alone on the rock that is me.” As soon as Annie realizes she has been tricked, she remembers her horrible past—what did this man want from her? Am I going to suffer the same terrible experience again? In that instant, Adamas presses his lips forcefully against hers!

  • Sales Rank: #1027062 in eBooks
  • Published on: 2015-01-19
  • Released on: 2015-01-19
  • Format: Kindle eBook

Most helpful customer reviews

44 of 44 people found the following review helpful.
Horrible
By Picky User
This is an earlier book and I understand that societal norms have changed a lot, but this book really was horrible. Basically, here's what happens in the book:

A long time ago, Annie was the golden child of the entertainment industry. She goes to a party at Adamas' house where she drinks and gets almost raped by his brother-in-law. Thanks to the tabloids and Adamas' selfish and disgusting family, Annie is flayed alive by the press. Result: she changes her image from golden girl to seductress.

Fast forward several years and she and her half-brother Todd are just embarking on a new modeling contract for Annie when she is literally kidnapped by Adamas and taken to his private island where he rapes her. His reason? Because he's been lusting after her. Also, because his cousin, who is also a model, was dating Todd until she couldn't get over her jealousy over Annie and Todd dumped her. Anyway, Annie is stuck on the island, attracted to Adamas and the two continue to have sex, while Adamas is trying to take Annie off her new modeling contract so that he can give it to his worthless cousin instead.

Ending: the two end up living happily ever after after Adamas confesses his love to Annie, but not until after he's taken the lucrative modeling contract away from Annie and given it to his cousin.

Now, I don't have much problems with forced seduction tales and quite frankly, all Harlequin romances involve the forced seduction. However, this one really was rape and Adamas is just so very unlikeable. There is nothing rational about him, he made a stupid promise to his cousin and instead of stopping his revenge against Annie afer he realized he was wrong about her, he continued to keep her prisoner on his island until she succumbed to his "request" to remove herself from her modeling contract. Which she never did. Instead, that was also forciblly taken from her. He forces her to marry him, she sees the candid wedding photos and realizes that he loves her and she loves him back. Stupid story about a stupid girl with no backbone and ruthless man who gets whatever he wants without taking into account any one else's considerations.

As for Todd, the half-brother, he's the only character that I did like. I understand that he actually did like the worthless cousin and Annie made a sacrifice by not telling him the truth about her, but again, Annie is stupid so I don't think she should be allowed to make any decisions. After all, deciding to marry an insecure scheming b---- after knowing all the facts because you really love her is a decision that he should be allowed to make after getting all the facts. She and her family are all ruthless. Being a part of it doesn't guarantee protection for yourself--a fact that stupid Annie would have realized if she had any brains.

14 of 15 people found the following review helpful.
The morning after
By texas reader
Worst book I have ever read. This book was horrible. I give it negative stars. Not only does the premise of the book not make sense, the actions of the characters don't work. Annie sleeps with this guy, finds out what a horrible person he really is, and then gives up the modelling contract? Adamas has a hidden agenda throughout the entire book and if he really loves annie so much, why is he trying to push his cousins agenda? It doesn't make sense. I actually read this book on my kindle and came to the amazon website to write my first review ever because I was SOOOOO disappointed. Truly the worst book I have ever read. I cannot adequately describe my disappointment...

14 of 17 people found the following review helpful.
Good, but not great
By She Buys Stuff
From the back: Cesar DeSanquez was right about Annie's beauty: it has made her into an international supermodel. But the only life about to be ruined was Annie's - by Cesar! In reality, she was a shy virgin, but Cesar preferred to believe in her glossy image. He passionately believed that she had torn apart his family in the space of a night. And now, in the cold light of dawn, he wanted his revenge!
This is probably one of my least favorite Reids. Ultimately, I just couldn't help wishing that Annie had found a better guy, which doesn't bode well for the story. Nonetheless, it had the same passion and intensity that I have come to love from all Reid novels.

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Rabu, 04 Maret 2015

[Y983.Ebook] Free PDF Algebra and Trigonometry With Applications, by M. A. Munem, David Foulis

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Algebra and Trigonometry With Applications, by M. A. Munem, David Foulis

The third edition of Algebra and Trigonometry is being published at the beginning of a new era in the teaching of mathematics in our colleges and universities. Educators agree that this decade will see major changes in the way mathematics is taught--critical thinking will be nurtured, rote learning will be de-emphasized, and mathematical comprehension will be fostered by increased classroom use of electronic computers and calculators. In revising our textbook, we have tried to provide a measured response to these trends while continuing to offer students a straightforward, readable book.

  • Sales Rank: #3982397 in Books
  • Brand: Brand: Worth Pub
  • Published on: 1991-06
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 8.25" w x 1.25" l,
  • Binding: Hardcover
  • 738 pages
Features
  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
One Star
By Simon Chipmunk
Cannot review this book as I did not order it.

0 of 0 people found the following review helpful.
Five Stars
By Charly
Excellent shape.

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